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Will You Add? - 188 Stage Hero's Journey (Monomyth) - American Werewolf (1981) Basic Deconstruction
Starting an Internet business can be a life changing experience. Whether the change is for the better or the worse, depends upon you making the right choices when you are first considering the idea of starting an Internet business. If you start an Internet business that is wrong for you, it will very likely be a miserable experience right from the beginning and swiftly end in failure. Before you
Meeting the Hero and the Shape Shifter: David and Jack.
Backstory: Travelling; Northern England first, England later.
Developing Characters and Relationships: an interest Debbie Klein's body….walking along the road….say knock knock…
Entering the First Threshold: walking into town.
Threshold Guardian: the Sla
Based on my talks with local executives, indicators point toward our getting back to business. Many companies that were taking a wait and see stance on Sales are now beginning to once again invest in selling.As we all know from the go-go days, deploying a new sales team takes significant investment, especially if the sale cycle is lengthy. When venture investment was pouring in, I saw scores
The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.
Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
THE 188 STAGE HERO'S JOURNEY:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)
AMERICAN WEREWOLF (1981)
FADE IN: Yorkshire Moors.
Border of the First Threshold: getting out of the truck.
Warning of the First Threshold: keep off the Moors; stick to the roads.
Meeting the Hero and the Shape Shifter: David and Jack.
Backstory: Travelling; Northern England first, England later.
Developing Characters and Relationships: an interest Debbie Klein's body….walking along the road….say knock knock…
Entering the First Threshold: walking into town.
Threshold Guardian: the Slau
Want to make money at home with your computer? This is part 1 of how to make money from your home with your computer and internet. I will show you exactly what to do and your success will only depend on one thing, yourself! I know that what I am going to share with you works. You will not need a lot of money, but you will need some. The main aspect of your success will be you, not your wallet. The w
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
THE 188 STAGE HERO'S JOURNEY:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)
AMERICAN WEREWOLF (1981)
FADE IN: Yorkshire Moors.
Border of the First Threshold: getting out of the truck.
Warning of the First Threshold: keep off the Moors; stick to the roads.
Meeting the Hero and the Shape Shifter: David and Jack.
Backstory: Travelling; Northern England first, England later.
Developing Characters and Relationships: an interest Debbie Klein's body….walking along the road….say knock knock…
Entering the First Threshold: walking into town.
Threshold Guardian: the Sla
When a company organization is searched to find a project manager, the first results may be fruitless because no one with that job title can be found. The project manager's identity is often hidden behind some other organizational role. This is particularly true for specialized in-house project where, for example, a person with the title 'facilities manager' might act as project manager during a maj
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)
AMERICAN WEREWOLF (1981)
FADE IN: Yorkshire Moors.
Border of the First Threshold: getting out of the truck.
Warning of the First Threshold: keep off the Moors; stick to the roads.
Meeting the Hero and the Shape Shifter: David and Jack.
Backstory: Travelling; Northern England first, England later.
Developing Characters and Relationships: an interest Debbie Klein's body….walking along the road….say knock knock…
Entering the First Threshold: walking into town.
Threshold Guardian: the Sla
Why pay rent when you can buy your home? You can really break the shackles of tenancy once for all. It is an amazing fact and naturally any council tenant will be happy after knowing the prowess of him. If you have lived in your council house for more than two years, you have the council right to buy mortgage.Right to buy means you are entitled to buy your council home at a discount. Discount
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ for full details)
AMERICAN WEREWOLF (1981)
FADE IN: Yorkshire Moors.
Border of the First Threshold: getting out of the truck.
Warning of the First Threshold: keep off the Moors; stick to the roads.
Meeting the Hero and the Shape Shifter: David and Jack.
Backstory: Travelling; Northern England first, England later.
Developing Characters and Relationships: an interest Debbie Klein's body….walking along the road….say knock knock…
Entering the First Threshold: walking into town.
Threshold Guardian: the Sla
Mortgage companies have an advantage over you when applying for a home mortgage refinance loan. They know the wholesale interest rate you qualified for and how much they are overcharging you for that loan. What your mortgage company doesn’t want you to know is how to avoid paying retail markup of your mortgage interest rate. Here are several tips to help you improve your application and avoid payi
Meeting the Hero and the Shape Shifter: David and Jack.
Backstory: Travelling; Northern England first, England later.
Developing Characters and Relationships: an interest Debbie Klein's body….walking along the road….say knock knock…
Entering the First Threshold: walking into town.
Threshold Guardian: the Slaughtered Lamb.
New Creatures of the Cave: the people in the pub.
Authority Figure / Unwelcome in the Cave: any coffee…No; any tea…No.
Trial: the five point star on the wall.
Foreshadow of the Journey: "London…Leicester Square…."
Pulled into the Middle Cave: debating the five point star and candles.
Developing Characters and Relationships: the characters in the pub.
Middle Cave: What's the star on the wall for?
Pushed to the Inner Cave: Go!
Rules: Stay on the road.
Pushed to the Inner Cave: Go!
Rules: Stay on the road.
Developing Characters and Relationships: it's in God's hands now.
Contravening the Rules: wandering off the road.
Inner Cave: the wolf cry; can you hear it?
Pulled Back: we must go to them.
Foreboding: what was that sound?
Pulling Back: deciding to go back to the Slaughtered Lamb.
Warning of the Trial: it's a sheep dog.
Trial: attacked by the werewolf – saved by the villagers.
World of the Physical Separation: London, in the hospital.
Meeting the Romantic Challenge: Nurse Alex Price.
Meeting the Mentor: Doctor Hirsch.
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